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This series is based on the mantra, loka samastha sukhino bhavanthu, which translates from Sanskrit,

"May all beings everywhere be happy and free."

 

Each of the four paintings represents a word from the mantra. 

As a series, they are a visual prayer for global peace and for the relief of suffering of all beings.

 

This series arose from True’s own meditation practice in which she works with this prayer as a resource for healing.​

Loka.jpg

Loka, 2025

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24 x 30

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Acrylic on canvas, standard frame

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This series is based on the mantra, loka samastha sukhino bhavanthu, which translates from Sanskrit, "May all beings everywhere be happy and free."  A loka generally means a place of existence, levels of the cosmos, or even heaven.  

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samasta.jpg

Samasta, 2025​

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24 x 30, Standard frame

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Acrylic on canvas

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Samasta is a word in Sanskrit meaning "all" or "complete." It carries within it a sense of totality — not just wholeness as an abstract idea, but wholeness as something lived, something that includes every being without exception.


This painting was originally the second in a four-part series inspired by the mantra loka samastha sukhino bhavanthu, which translates from Sanskrit as "May all beings everywhere be happy and free." Each of the four paintings gave visual form to a single word of the mantra, together forming a kind of prayer in paint — an offering toward global peace and the easing of suffering for all living things. Though this piece has since become a stand-alone work due to the sale of, its original companions, even alone, it

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speaks to completeness — a reminder that wholeness is not diminished by separation, but is instead something each part already contains within itself.

 

The painting takes the form of a mandala, a structure with deep roots across spiritual and artistic traditions, from Buddhist and Hindu sacred art to Jungian psychology, where the mandala is understood as a symbol of the unified self.

Radiating from the center, the painting's petal motif suggests the unfolding of a flower — a blossoming that never quite completes itself, opening endlessly outward into the space of eternity.

 

The mandala has long been associated with the divine feminine. Its circular geometry echoes the shape of seeds, eggs, and cells: the fundamental architecture of life's beginnings. In many traditions, the center of the mandala is understood as a sacred point of origin, a still place from which all else radiates — much as the feminine principle is often understood as the source from which creation itself springs forth.

 

The painting is rendered in hues of orange, a color long associated with creative energy, vitality, and warmth. Here, that warmth animates the mandala's petals, suggesting a wholeness that is alive: pulsing, generative, and endlessly renewing itself, just as the mantra intends for all beings everywhere.

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$425

Sukhinohummingbirds.jpg

Sukhino, 2025

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24 x 30, Standard frame

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Acrylic on canvas

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This series is based on the mantra, loka samasta sukhino bhavanthu, which translates from Sanskrit, "May all beings everywhere be happy and free."  Sukhino means, "ease" or "happiness."  The root word, sukha, means "freedom from suffering."

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Bhavantu, 2025

 

24 x 36, standard frame

 

Acrylic on canvas

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This is the fourth and final painting in the series based on the mantra, loka samastha sukhino bhavantu, which translates from Sanskrit, "May all beings everywhere be happy and free."  The word bhavanthu means, “may it be so”.  

 

As a being of the water, earth and air, the dragonfly was chosen for this painting is a symbol of evolution and emergence.

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